Undisclosed Chapters: Scratches on a Mirror by Drew Merritt - One Night Only!
Inaugural exhibition for WOMXN HOUSE. Both artists featured are recreating an echo of something that once was - not a direct representation, but a translation.
Celebrate the launch of Brandi Kruse's new book flat out. Kruse will give a live reading and sign copies while the gallery serves refreshments.
The Pacific Northwest College of Art Low-Residency MFA in Visual Studies Class of 2019 Thesis exhibition, curated by Srijon Chowdhury.
Part of an ongoing consideration of immaterial and material intersections, Kruse’s work in flat out investigates imagined spaces, physical absence and how very few things are actually flat. Light, reflection, and memory are compressed and expanded into sculpture, poetry, and found objects.
Submit your upcoming art exhibition, performance, reading, lecture and artist talk, fundraiser, pop-up, film screening, and/or social practice project to us by Friday, June 21st 2019 to be included in the July/August 2019 edition of Critical Viewing.
Informed by Lehuauakea Fernandez’s own background as a contemporary mixed-Native Hawaiian artist in the Pacific Northwest, A Thirst For Saltwater seeks to complicate the relationships inherently created through consumption, asking if what we easily devour is devouring us instead.
Portland based Rittenhouse has created a pastel glitter installation composed of crystal spirals and giant hands that mingle and mystify within Arnold's bespoke fashion showroom. Please join the artist on April 5th from 5-7 PM for a closing reception. Hand-shaped cookies, miniature blobs, rainbow stalagmites and beverages will be on hand!
One-night engaging multidisciplinary art festival at the Mission Theater - a showcase of the broad range of expression from our local community. The night will blur the boundaries of art forms, creating a space where every sort of artist can connect with those in different disciplines.
The sun never knew how great it was until it struck the side of a building., titled after a quote by the modernist architect Louis Khan, explores the role light plays in the oppression of historically marginalized individuals—especially people of color, low-income, and queer communities.